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Look for "R's" and "L's" on the left of the tab as a guide for which hand to use. Often, these take the form of an ampersand ("&") to mirror the common method of counting off-beats, as in "one and two and three and four and." Such a tab might look like this: Some piano tabs include off-beat markings.This is hardly a perfect system, but it makes the most of the limitations of the tab format. ||1-2-3-4-|1-2-3-4- In this case, the notes roughly above "1" are roughly on the first beat, the ones roughly about "2" are roughly on the second beat, and so on. As a workaround, some tab writers actually count the beat of the song below or above the tab. This can become problematic when dealing with sustains, rests, syncopated passages, etc. One weakness of tabs in general is that it is difficult to express rhythm via basic tablature notation. Read repeating numbers above or below the tab as beats. Instead, all flats are written as the equivalent sharp (eg: D-flat ("Db") is written as C-sharp ("C")). For simplification of writing and to avoid confusion between the flat symbol, which resembles a lowercase "b", and the note "b", there are no flats in piano tabs.For instance, notes on line 4 in the sample tab above are played in the keyboard's fourth octave. Notes on the lines of the tab are meant to be played in the octave that corresponds to the line. For example, "C" is the black key to the right of "c", which is a white key. Upper-case letters signify sharps, which are the black keys. You may have already guessed that each letter corresponds to a note in the scale! Lowercase letters signify "natural" (not sharp or flat) notes, which are the white keys on the keyboard. The letters A through G should be spread throughout the lines of the piano tab, like this: Locate the notes in the tab based on the octave of the line they're on. It's not necessary for piano tabs to include lines for every octave on the keyboard - just the octaves in which notes are played. For instance, in the sample tab lines provided above, the lines represent, starting from the top, the fifth, fourth, third, and second octaves from the farthest-left C, respectively.
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Piano tabs define their octaves relative to the C scale - starting from the far left of the keyboard, the first C note on the piano begins the first octave, the second C note begins the second octave, and so on up to the highest C note. The number at the left of each line represents the octave that the notes represented on the line are located in. Though this arrangement may at first seem to bear no resemblance to the black and white keys of a keyboard, piano tabs actually represent different regions on the keyboard through clever shorthand.
#Come as you are songster series
Piano tabs usually take the form of a series of horizontal lines, each labeled with a number at its far left, like this: Break the keyboard into octaves which correspond to lines on the tab.